UPCOMING CULTURE EVENTS
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Sexism at Work:
A Conversation with Isabella Lenarduzzi
For journalists, editors & creators
Social | Tues 27th Oct | 6-9pm
Co-hosted by Brussels Media Women Introductory Talk by Isabella Lenarduzzi (JUMP)
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Join Brussels Media Women at Full Circle for a conversation with Isabella Lenarduzzi, founder of the Women At Work coalition in Belgium, and a social entrepreneur specialising in workplace gender equality, diversity and inclusion.
Also the founder of JUMP, an organisation working with companies and institutions to achieve workplace gender equality and fair representation of diversity, Isabella will draw on their survey of 5,214 respondents, including nearly 1,000 men. The survey found that 87% of women in Belgium have experienced sexism at work and that more than 75% do not report it. The findings provided data for a report by the Brussels Council for Equality between Women and Men, presented in September.
We’ll explore the personal testimonies behind the figures, the often-overlooked health implications of workplace sexism, and what companies and lawmakers can do to address it.
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About
Isabella Lenarduzzi is a social entrepreneur working in gender equality, diversity and inclusion at work. In 2006, she founded JUMP, an organisation that works with companies and institutions to advance workplace gender equality and build a more equitable and inclusive society.
JUMP initiated Women At Work (WAW), a federal coalition of 11 associations officially recognised by Belgium’s Institute for the Equality of Women and Men.
Isabella is an editor, author and coordinator of numerous studies and guides on topics including women in digital transformation, men’s attitudes towards workplace equality, barriers to women’s careers, entrepreneurship, inclusion and sexism at work.
She also produces and co-directs e-learning programmes on diversity, inclusion, sexism and workplace discrimination, including programmes for Engie and NATO.
Open to all journalists, editors & creators
Booking required | Bar open
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ADDITIONAL INFO
ACCESS
Bar & snacks
Nation of Strangers by Ece Temelkuran
Culture | Sat 14th Nov | 3:30 - 5 pm
NEW! A regular non-fiction book club focused on how individuals and communities navigate, survive, and resist unjust systems.
*Doors open at 3 pm. The book club begins at 3.30 pm.
‘the most urgent and necessary book of our times, for our times' ― Michael Morpurgo
ABOUT THE AUTHOR
Ece Temelkuran is an award-winning Turkish writer, political thinker and journalist. Her work appeared in the Guardian, New York Times, New Statesman, Frankfurter Allgemeine, La Stampa, Der Spiegel and Le Monde Diplomatique among other prominent international media outlets. During her twenty-year career as a journalist, and before she lost her job due to political oppression, she was twice recognized as Turkey’s most read political columnist. She has lived in Lebanon, Tunisia and France, and was a visiting fellow at St Antony’s College at the University of Oxford. Her books, both fiction and non-fiction, have been published and translated in several countries. She is on the advisory board of Progressive International and Democracy Next.
In 2019, she published the internationally acclaimed nonfiction book How to Lose a Country: The 7 Steps from Democracy to Dictatorship, about the rise of right-wing populism and how it operates. In 2021-2023 she was a fellow at The New Institute, Hamburg, working on a project "A New Vocabulary for 21st Century Progressives. In 2023, she received the El Mundo International Journalism Awards in the Freedom of the Press category for her body of work. Temelkuran was longlisted for the 2026 Women's Prize for Non-Fiction for Nation of Strangers.
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Bar open with snacks
She Who Remains by Rene Karabash
Culture | Thurs 19th Nov | 7:00-8:30 pm
Monthly meet up to discuss a great read, along with drinks & good company.
*Doors open at 6.30pm. The book club begins at 7pm.
High in the Accursed Mountains, in an Albanian village ruled by the ancient laws of the Kanun, Bekja escapes an arranged marriage by becoming a sworn virgin, renouncing her womanhood to live as a man. Her decision sets off a brutal chain of events, destroying her family and separating her from the one she loves the most. Years later, as Bekija – now Matija – tells their story to a visiting journalist, long-buried truths come to light, along with the realisation of all that might have been.
She Who Remains - a dark and poetic novel about identity, gender, love, freedom, and societal norms - was shortlisted for the International Booker Prize 2026.
Rene Karabash (born Irena Ivanova) is a Bulgarian poet, writer, screenwriter, actor and playwright. She has won multiple awards for her work, including several Best Actress awards for her role in the film Godless. Her debut novel, She Who Remains, was awarded the 2019 Elias Canetti Prize, Bulgaria’s most prestigious literary award. It has been translated into over a dozen languages, and a film, adapted by the author, is set to be released in 2026. The English language edition was shortlisted for the International Booker Prize 2026. Karabash is also the author of the collection Omar’s Letters to His Future Wife, and is working on her second novel.
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This year's Ideas Festival explores connection, questioning what truly holds us together in a hyper-connected yet disconnecting world. Since 2013, Full Circle's 3-day in-house festival brings thinkers together for talks, conversations, and communal reflection. A crew of local hosts brings nourishing and entertaining activities into the mix. The festival is designed for depth, with unhurried spaces for ideas and bonds to form. Expect talks, workshops, live music, art, books, food and a pinch of unexpteced.
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You already know us, you know what we do, and that the next one will be even better than the last one!
Join us for the launch of Connection Art Show
"Connection" is an exhibition about the threads that bind us to one another, to place, to memory, and to the world around us.
Creative expression unlocks and reveals a world of literal, abstract, personal, or political interpretations: Intimacy and relationship, community and belonging, ancestry and heritage, identity and the self, ecology and the body, technology and its paradox of closeness and distance...
Artists in this vernissage invite us to reflect on what it means to be truly connected, offering new ways of seeing, thinking and being through countless forms.
FREE ENTRY
Drinks available from our bar
Ideas Festival / Fri 20 Nov / 8.30 - 9.30 pm
Open mic performers are invited to register through our form beforehand, or sign up at the door if there are last-minute slots remaining.
GET THE WEEKEND OR DAY PASS
with Pauline Arnould
Ideas Festival / Sat 21 Nov / 1 - 2.30 pm
Are you curious about the rebellious art of the zine? Join this hands-on workshop to learn more about it and create your own.
You'll get an introduction to the punk and feminist history of "fanzines", the DIY publications that gave voice to people who were told they didn't have one. Then it's your turn to tap into your creativity, experiment with collage, drawing and words, and discover how a few folded pages can become a powerful way to connect with your community.
You'll end the workshop having completed your own handmade zine, which you are invited to display as part of the Ideas Festival literature installation.
No prior experience required. Just bring your stories, doodles and opinions. Supplies provided.
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Ideas Festival / Sat 21st Nov / 3.15 - 4.30 pm
What happens when a violinist picks up a paintbrush, and composers pick up their pens? Revel in a show like no other, where sound, image and object cross into one.
Grammy-nominated violinist Peter Sheppard Skærved has long been celebrated for his championing of new music. Less widely known is his parallel life as a painter. In this special performance, he brings the two worlds together, presenting music written by some of today's leading composers in direct response to his visual work. The programme features violin miniatures by Robert Saxton, Sadie Harrison, and other distinguished composers. Each piece is a small, concentrated musical portrait: a colour, a gesture, a mood caught on canvas and translated into sound. As the music unfolds, projections of the paintings that inspired it will accompany the performance.
A new musical creation also premieres at this event. Brussels-based composer Nigel Clarke has composed a short new work based on several objects proposed by the festival's audience. Objects that somehow mean connection to each of us. Everyday things become the seeds of music, and you can now hear what they have grown into.
Peter Sheppard Skaerved is 'one of the finest living exponents of the violin’ (Gramophone Magazine September 2026). A renowned violinist, chamber musician and researcher known for his pioneering approach to the music of the past and of our own time. He has released over 90 albums of solo and chamber music, performed as a soloist in over 30 countries and has had morethan 400 works written for him by composers such as Judith Weir, Michael Finnissy and Hans Werner Henze. A prolific recording artist, both as a soloist and as leader of the Kreutzer Quartet, he is also the recipient of numerous awards and a former Grammy Award nominee. Peter is the only living violinist to have performed on the violins of Ole Bull, Joachim, Paganini and Viotti. He is also Viotti Lecturer at the Royal Academy of Music (UK) and was recently named Honorary Professor at the Royal Northern College of Music in recognition of his contribution to music research and the positive impact his work has had on the industry.
Nigel Clarke studied composition at the Royal Academy of Music with Paul Patterson, where he was awarded the Academy’s highest distinction, the Queen’s Commendation for Excellence. Clarke has previously held positions as Young Composer in Residence at the Hong Kong Academy for Performing Arts, Composition and Contemporary Music Tutor at the Royal Academy of Music, London, Head of Composition at the London College of Music and Media, Visiting Tutor at the Royal Northern College of Music, Associate Composer to the Young Concert Artists Trust, Black Dyke Band, the Band of HM Grenadier Guards, Brass Band Buizingen, Middle Tennessee State University Bands, Royal Military School of Music, Kneller Hall and International Composer-in-Association to the Grimethorpe Colliery Band. Clarke has also co-written film soundtracks to:Jinnah, The Little Vampire, The Little Polar Bear, The Thief Lord, Baseline, & Willand in 2006 was a co-nominee at `The World Soundtrack Awards’ in the `Discovery of the Year’ category. In 2008 Clarke was awarded the title of Doctor of Musical Arts from University of Salford.
Ideas Festival / Sat 21st Nov / 7.30 - 9pm
*Hours might change*
Why do people turn to the past when the future feels unbearable? And why does that turn so often lean authoritarian?
Critical theorist and ‘pyrotechnic thinker’ Dr. Louisa Toxværd Munch has spent her career examining the conditions that let fascism take root – and disconnection is at the heart of it. Nostalgia isn't really about the past, it's what happens when people can no longer imagine a shared future together. Isolation doesn't just make us lonelier, it makes us easier to manipulate, easier to divide, and more susceptible to the manufactured ignorance that authoritarian movements depend on.
Louisa makes the case that the way out is relational, not individual. Critical thinking, resistance cannot be done alone. We build these together - in classrooms, in communities, in (disappearing) third spaces, and in the rooms where people still gather to question power.
Louisa Toxvaerd Munch is a Danish critical theorist, writer, and educator whose work examines nostalgia, historical consciousness, and the political conditions enabling the resurgence of the far right. A PhD researcher and teacher at the University of Warwick, she brings critical theory to a broad public audience through writing, lectures, and social media. Drawing on Arendt, hooks, and Freire, she champions education as a democratic safeguard against manufactured ignorance. She is the author of the forthcoming Glitch: How to Think in a Time of Monsters (Allen Lane/Penguin), which reframes societal breakdowns as sites of resistance and collective agency.
GOOD READS
Glitch: How to Think in a Time of Monsters (forthcoming, Allen Lane/Penguin).
Revel in a unique concert blending timeless jazz standards, French chansons, bossa nova, and original compositions and lyrics by Suzette & Jasper.
Their collaboration reflects artistic refinement and a shared passion for music with depth and character.
Gudrun Roos, also known by her musical alter ego Suzette, is distinguished by her poetic presence and warm, jazzy voice. She trained in jazz vocals at the Conservatory of Ghent and has since performed with various ensembles and in a wide range of musical theater projects. Under the pseudonym Suzette, she has developed her own repertoire, where the lyricism of French chanson, the subtle sounds of bossa nova, and the refined nuances of jazz beautifully converge.
By her side is pianist and composer Jasper Huysentruyt, trained in both classical music and jazz. After fourteen years of professional activity in Chile, where he performed with his trio at all major jazz festivals and released several albums, he returned to Belgium. Jasper has built a strong reputation in both the Latin American and international jazz scenes, with concerts spanning from the Atacama Desert to Patagonia, and albums that subtly weave together nature, classical, and jazz influences. His playing is praised for its versatility and expressive subtlety.
Eighteen years ago, singer Gudrun Roos and pianist Jasper Huysentruyt first took the stage together. Starting September 2025, they will once again present a series of joint concerts.
LINKS
Suzette Music
FAMILY LEXICON: WRITING FICTION IN A SECOND LANGUAGE
with Eleonora Balsano
Ideas Festival / Sun 22nd Nov / 11 am - 1 pm
Many multilingual people never try writing fiction because they think they aren't allowed to, since their vocabulary is too limited, their grammar isn't perfect and they’ve heard at some point in their lives that ‘real writers only write in their mother tongue’. None of this is true!
Many of the best novels of recent decades were written by people using a language they learned as adults. In this workshop we'll start from the words we all carry from childhood, the nicknames, family expressions and invented words that only make sense at home, and we'll use them as material for writing in the language we use now. Through short exercises, participants will see that writing in a second language can make their prose more precise and more personal, and that what they see as a limitation is often what makes their writing interesting.
If you speak more than one language and have always wanted to write fiction, whatever your level of experience, this is for you.
Beginning Middle End by Valeria Luiselli
Culture | Thurs 10th Dec | 7:00-8:30 pm
‘Inventive, brilliant, playful, and transporting' ― by Katie Kitamura, author of Audition
A mother and a daughter take off on a road trip after the collapse of a marriage. Their journey begins in Sicily during a summer of rapidly-changing winds, volcanic rumbles and sudden tempests. How do you begin again, the mother wonders, if you got the beginning wrong? The trip soon becomes a quest for origins – not just to the familial past across continents, languages and generations, but also further back to a mythical and even geological past.
With her daughter coming into her own and her mother showing signs of dementia, the narrator finds herself confronting the primary questions of life: How do stories shape our children’s imaginations? How do we situate ourselves deeply in the world while accepting our transience in it? How are a family’s memories made and what happens when they disappear?
A road novel, a mother-daughter story, a mystery, Beginning Middle End is a shapeshifting novel that offers an exhilarating testament to the power and instability of the stories we hold most dear.
Valeria Luiselli was born in Mexico City and grew up in Costa Rica, South Korea, South Africa and India. She is an acclaimed award-winning author and the Sadie Samuelson Levy Professor in Languages and Literature at Bard College Her previous novel, Lost Children Archive, was an international critical and commercial success. It was a New York Times 10 Best Books of 2019, won the Rathbone Folio Prize 2020, the Dublin Award 2021, the Carnegie Medal for Excellence in Fiction, and was nominated for the Women’s Prize for Fiction, and the Booker Prize 2019 among others. In 2019 she was awarded a MacArthur Genius Grant for “challenging conventional notions of authorship in fiction, essays, and inventive hybrids of the two that pose profound questions about the various ways we piece together stories and document the lives of others.” Her work is published in more than thirty languages.
Keeping culture alive is our gift to the future.
Join the present-givers.
Anything extra to go with your ticket?
A little light reading
Discuss over dinner
Ideas in your Ears
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